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Exhibition / Films / Talks / PerformanceWhat Do Those Old Films Mean?
Each part 26 Min., Dir.: Noël BurchReturn to main: What Do Those Old Films Mean?
K.P.D. – S.P.D.: Chronology of a Frantricide
1914
Longstanding tensions between Social Democratic right and left exacerbated by right majority’s support for The Kaiser’s war.1917
Dissident minority forms Independent Socialist Party, joins with Spartacists led by Rosa Luxembourg and Karl Liebknecht.1918-1919
Armistice leads to fall of Empire. Radical workers would see Germany follow Soviet example. General strike. Street-fighting. S.P.D. premier Ebert plays decisive role in defeat of revolution and consolidation of bourgeois republic. Luxembourg and Liebknecht murdered by nationalist Freikorps.1920
Independent Socialists make electoral progress, become German Communist Parley (K.P.D.). National Socialist Party also formed.1921-1928
S.P.D. participates in or supports governments whose acceptance of Allies’ war reparation claims infuriates right-wing nationalists; their acceding to big business demands exasperates working class.1929
Panicked by increasing strength of K.P.D., S.P.D. bans traditional May Day parades. Both left parties underestimate danger of Nazism. K.P.D. congress designates S.P.D. as ”Social Fascists”. Wall Street crash has devastating effect on German economy as U.S. investments are withdrawn.1932-1933
Paralysed by their rivalry, K.P.D. and S.P.D. are powerless to prevent suspension of parliamentary democracy and ruling class manoeuvres that bring Hitler to power.Prometheus or The Labours of Hercules
Embittered by their defeat of 1919, working class organisations for a long time regarded cinema as, by its very nature, a propaganda weapon of the bourgeoisie. As the post-war art films (e.g. Caligari, Nosferatu, Mabuse the Gambler) gave way to trivial comedies and ”historical” epics (e.g. the nationalistic Fredericus Rex series), their view seemed confirmed.The law allowing only companies producing their own films to import foreign films was enacted in 1924. Since, of course, no working class organisation had its own film studio, that immediately ruled out all “working class” organisations as buyers of Russian workers’ films.