11 / 04 / 11 / 05 / 2000
Jack Goldstein - An Installation of Films from the Artist (1974-1978)
Selection newly organised by Jack Goldstein (C)
"Im interested in that gap between minimalism and pop art: the objectness and autonomy of minimalism and the subject matter from our culture thats in pop art. But there is also a link to conceptual art."
In October 1999 with its project "Artist Once-Removed", the haus.0 program introduced for the first time in a decade, a focus on the artist Jack Goldstein (C*1945). A perspective was opened onto his concept of production, related to performances, records, films and paintings. Goldsteins productions played a crucial role in the American contemporary art scene, as a bridge from the 1970s to the 1980s, in what critics then termed post-studio art. By way of this term, the exhibition reflected its host institutional site, the first German artists space founded in the early 80s to offer artists media production possibilities as opposed to traditional ateliers.
The era-bridging aspect of Goldsteins methodology implied a new sense of media interplay, joining industry production to D.I.Y ethos, the individual subject to technology through a sense of sublime underlying the new Hollywood dominated spectacle just beginning. Yet, despite much research, twenty years after both commercial and critical support concerning performances, records and films, nothing could be found other than the traditional collector formulation of art: paintings. The artists decision to absent himself since almost ten years also made it virtually impossible to obtain the media productions. Due only to the chance acquisition of two European art institutions, the exhibition could present a single film,"The Jump", and complete set of record productions. The exhibition research into older art magazines brought to light some of his methods of joining architecture and film in installation.
This new, current exhibition is for haus.0 a valuable supplement to "Artist Once-Removed", as it reveals the unique qualities of the artists early film productions, and his approach to them in terms of a sculptural, installational sense of space and time.